May 15, 2015

"Lion" (Telugu)



Tollywood's longest running dual role matinee idol Balakrishna tries to roar back with a different plot and a new director Satya Deva. The film was expected to to do roaring business given this is Balayya's first film as an MLA. It was expected to be a hat-trick victory for all those blazing guns of Nandamuri who sighted victory on "Pataas" and "Temper". But Alas! bad screenplay and lousy narration alongwith zombie treatment have spoilt it. Trisha and Radhika Apte are roped in for glamor but both looked a leaf too familiar from old foliage. Mani Sharma, the music director who gave Balayya second lease of life from "Samarasimha Reddy" onwards scores just one melodious song and lackadaisical BGM for this film - it looks as if he was imitating DSP's "Legend" score. Very disappointing score except the first song with Siva Balaji, Balayya and Archana.

What went wrong in this 137 minute film without a marked-out sequence, if you count out the countless number of stunts and blood-dripping violent deaths and identified flying objects jumping off the earth's axis? Story is under-developed, promising but bizarre in the end. Bose (Balayya) is a tech-savvy CBI officer notorious for raiding the most powerful men amassing public loots and gawdily displaying their stealth. His eccentric ways frame many powerful leaders including CM Prakash Raj who became a CM by killing Vijay Kumar in a "twisted" way. (That is about the most unique point in the film that even channel programming can be hacked to manufacture news). 

Balayya                                                                                                                                                                        is the Joint Director of CBI who is about to crack the "cold-blooded murder". Here is where director Satya infuses a piece out of sci-fi movies. What happens if the CBI officer creates an unhackable firewall that self-reveals itself to the CBI head-quarters whether the officer dies or not? And how Prakash Raj reconstructs a bizarre world that never existed around Balayya while trying to annihilate him through medical, mortal and unthinkable ways of torture and harrassment. All of this masterminding memes are revealed to us in multiple flashbacks before and after interval, sometimes through other characters and sometimes through the hero and the villain. And then, wonder of wonders, after all this mixture of Robin Cook and Sidney Sheldon plot mixture, comes a James Bond twist where the CBI officer does spectacular stunts - with feats galore. 

In one scene, he detects an injectible that is injected into his body so he smashes a mirror in the washroom and thaws out the damn piece. In another scene, he is caught by a speeding chopper out of a bazooka van and then to save himself cuts the ropes that bind him with scissors beneath his shoes ripping open. In almost every scene, the CBI officer has not come for a raid or slapping charges after investigation but actually exchange fire like some battlefield generals across borders.It is encouraging to think that the director has some futuristic vision of our CBI officers - who combine the skills of a Navy Seal with that of a Computer Geek and spice it up with the chivalry of a Jam Bond. Because Satya Deva is a first-time director, the film suffers a lot of impressario stunts and special effects and high-decibel violence with a sense of intelligence that is actually illogical and absurd. Because of the fatal fault in this bizarre storyline, Balayya looks without makeup till interval and then runs like a Gazille without much romance and emotions in the second half. 



The romance remains a non-starter because of the amnesiac Balayya in the first half, and the couple of  songs here and there hardly give relief to the audience. Only those echo-sounding dialogues can uplift a film of this nature but the director has written them himself so he sprinkles just a few impactful dialogues - hardly enough in a Balayya film. My favorite dialogue: "Subash Chandra Bose has no death date, and this Bose has no death"). Comedy by Ali and MS Narayana (how many films has he done before passing out?) doesn't fire. Prakash Raj is the most insipid villain seen in a long time. Despite some dazzling stunts and visual effects, the movie wears you out and bakes your brain. Balayya fans will have to wait for his  98th film or 100th film (with Boyapati Srinu) to have a hurrah after "Legend". There are interesting obvious resemblances the CBI director Laxminarayana's raid on Gali Janardhan Reddy but instead of building it up with the seriousness of a super sleuth, the film loses its way in the middle. Skip it if you can't take mindless violence and senseless story. Satya Deva needs to regroup for better treatment, story, emotions and screenplay..

Rating: 2/5


#Lion #LionReview #Balakrishna #NandamuriBalakrishna #SatyaDeva #MovieReviews #Tollywood

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