"Shivam" (Telugu Film Review)

My review of "Shivam":

http://www.telugu360.com/shivam-predictable-and-long/

"Pandaga Chesko" (Telugu Movie Review)

The movies in 80s mostly are about hero dancing with the heroine on the slopes of Ooty or Kodaikanal and then wear a disguise and get into the dens of the villain and tame him. Hundreds of films are mostly about this theme which now seem ad nauseum. In the 90s, Tollywood followed the "Hum Aapke Hain Kaun" formula with films like "Ninne Pelladithaa" for many films until the audience clamored for new ways of story-telling. That came through Sreenu Vaitla's team with movies like "Dhee" in the 2000s and perfected with "Ready". The dizzy cinematic experience of watching a romantic couple unite two disjointed families and rekindling affections for each other has been primed to perfection with "Atharintiki Daaredi" - which crossed Rs.100 crores. That means the plot is beaten to death. But PK's protege on screen, a portly and smartphone version of Pawan Kalyan, Ravi Teja and Mahesh Babu - Ram continues the tedium of the plot mixed in all these movies aforesaid in "Pandaga Chesko" and gives us one of the most cliched and low-energy entertainers of the year. 

The story is exactly like "Atharintiki Daaredi". Ram is a multi-billion dollar scion of a family in Portugal about to marry a business partner Sonal Chauhan that will create a mega conglomerate. On the verge of marriage, his organisation gets slapped by a notice to cease the Indian factory on a PIL from GreenEnergy (Or Greenpeace?) headed by Rakul Preet Singh who cares for the environment more than Al Gore and Dalai Lama. Rakul Preet Singh, at home, gets divided between  a doting father Sampath  and an affectionate uncle SaiKumar who were once thick friends but we gather,  later, become estranged because of Sai's involvement in the elopement of Sampath's daughter with Rao Ramesh. Ram is born to that wedlock and hence has to come back to atone for the misunderstanding and re-unite the families sparring in hatred. How Ram tames the ugly side of his uncles and gets the family rooting for each other is the second half. 

The film runs to 162 minutes length enough to bore you out because neither the story-telling nor the jokes are anything new. Director Gopichand who made films like "Don Seenu" has shown his capability hasn't embraced higher levels of cinema despite the penmanship of Kona Venkat. Kona's dialogues hardly fire with a few pistol shots here and there. Performances by Sai Kumar, Sampath stand out. Brahmanandam clearly is struggling to fire up despite one of the longest roles in recent times - he shows right in the beginning and stays till the end. Brahmi's characterisation is a travesty of modern sensibilities of Tollywood. He is seen leching at heroine, happening more frequently in Telugu films. Can you ever imagine the greats like Padmanabham, Raja Babu, Relangi act voyeuristically and get laughs and respect. Film makers should note this approach is the beginning of the end of Brahmanandam. MS Narayana, lucky to see more of him but since he has passed out before dubbing his own trademark voice, the voiceover does only half justice to his impact. Yet, he has a key important role which gets few laughs. 

Music by Thaman sounds deja vu but somehow gives the sole energy that is lacking in a Ram film. His peppy music alongwith Sameer Reddy's cinematography are the two bright spots of the film. Sonal Chauhan actually outsizzles Rakul Preet Singh in the film with her looks, and glamor. Rakul cannot act beyond her pouts and angry looks and too much exposure with too many heroes is going to undermine her long-term sustainability. Ram  is a super-suave hero and metrosexual to the core but his energy levels have dropped in this film. He concentrated more on his looks and dances rather than performance which is usually in sync with his good looks. Except for one more climactic outburst, Ram the actor is invisible throughout but if you want to see what power-dressing is all about Ram's dress sense takes the cake.  Comedy is cliched and fails to create big impact moments despite a rich talent. On the whole, the movie is not novel, the treatment nothing new and the screenplay average - Tollywood will be better the sooner it comes out of this tried Mayabazar screenplay trappings.

Rating: 2.5/5

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"Masala" Telugu Film Review

Masala is a ridiculous film with retrograde humour imported from Bollywood's hit film "Bol Bacchan". Infact, its a remake of the same film made by Rohit Shetty. In Telugu, quite a few big names got associated with the remake - Suresh Productions, Victory Venkatesh (plays Ajay Devgn), Ram (plays Abhishek Bacchan) and the female leads, played by Anjali and Shahzad Pudamjee. Directed by K Vijaybhaskar, who was the titular head in most of the hit films enriched by the vigorous penmanship of Trivikram Srinivas. 

The story is set in a village called Bhimarajapuram where Venkatesh is the chieftain who settles disputes and lords over the village folk. Posani Krishna Murali is the antagonist to Venkatesh. Into this village enter Ram and his sister Anjali, who lose their house and savings in a court dispute. Ram tells one lie after another to win the trust of Venkatesh, that he has a lookalike brother, a mother who has a lookalike and so on. The drift of the story is all stretching this absurdity further and making Venkatesh a joker in the pack led to believe all the drivel that Ram and his gang dish out. A comedy of errors is what unfolds as  the story moves in garrulous overtones of cheap drama with just a few good laughs and a banal ending. 

Venkatesh provides the good laughs in the film with his Butler English. Infact, that is the only saving grace of the film and but for that, most of the plot is crass and unequal to the standards of Telugu film comedy seen in recent times. Telugu film comedy is far superior to the levels of no-brainer comedy imported by the remake of the Hindi film and its an insult to the audience. Anjali, who looked so bright and promising in SVSC has a forgettable role in the film. Ram who plays the twin shades of a Gay metrosexual and an innocent youth carries off well. 

Venkatesh, despite a frivolous role that doesn't elevate his stature or earmark his career with the portrayal as a village don. He pulls off a fiery performance despite the shortfalls in the characterisation. He has the best lines in the film and what he speaks in English should make this film a brand ambassador for Russell's Spoken English. Here are some of the best lines which are the only paisa vasool in the film. "Today, I want everybody down to earth." "It is not hell, it is pine apple." "Let's give her a supervise (surprise)." "What a family hysteria." (history). "I want one night stand with your family." "I suspect all religions." (respect). "Take my sarees." (sorrys). "Please pest control yourself." "Shut up in the mouth and get out of the house.". "Without interest, I trust you." "Honesty is the best mutual policy," (you mean, mutual fund or insurance policy?) "Bloody burgar take him to jail." "You are my brother in law please become my sister's umbrella." "Cat under my hand, searching the whole motherland". "This is not normal marriage sir, this is pot exchange marriage." And finally, he says,"Watch the climax in my IMAX". Jayaprakash Reddy is the only other character who fires salvos and heightens the impact of Venkatesh's faulty one-liners ("My English better than the British!") by riposting as "Horrible Sir Horrible Sir! or "Bull Shit Sir Bull Shit Sir!). 

Music by SS Thaman is average and could have been better. Duration of the film is 140 minutes and but for the dialogues by Venkatesh, it would have been a tastless comedy. 2.5 out of 5.

"Endukante...Premante" Movie Review (Telugu)

“Endukante Premante” (Because it is Love) is the new film on the block. Stars a twinkling Diva Tamanna. And energetic star Ram – who carries himself like a miniature Pawan Kalyan cum Mahesh Babu cum Ravi Teja. Produced by his Chartered Accountant uncle “Sravanti” Ravi Kishore whose family consists of CPAs and CAs and Wall Street MBAs except this movie-crazy Ram who has been on a purple patch since “Kandireega”. Who is the Director? A.Karunakaran – a creative director and Ad-Maker who was pulled into films accidentally. After a decade plus and about half a dozen movies later, he is still remembered for films renowned for rich texture and neat family entertainment values – “Tholi Prema” (First Love), “Vasu”, “Happy”, “Ulhaasanga Utsaahanga” (which became a tagline for Red FM), “Darling”. Karunakaran has got a penchant for making different films with sonorous music and ROFL entertainment that never left the patronage of Balcony audiences. He lives up to that promise in most parts with this movie with about 165 minutes of rollercoaster ride of emotions using some bizarre twists that are sometimes inexplicable and mostly inexorable. Overall, it is quite watchable but for some lazy editing.

The film’s essential theme, sorry to poop the suspense, is about two estranged lovers in one lifetime and later how they re-unite in current lifetime where one lover (Tamanna) faces a near-death experience and the never-say-die spirit of her body guides the hero (Ram) through the maze of Interlaken, Zurich and Paris to set up a climax in Hyderabad where eventually she battles for her life and comes back to life. So, its all about that spirit and mortal combat but the journey evokes shades of every movie that tested these waters and scenes are almost cut-and-pasted. You get a feeling of seeing this movie before – in the scenes and the thread of the storyline – in “Avatar”, “Magadheera”, “Aatma Bandham” , “Ghost”. The climax even reminds you of the near-tragic twist in “Vasant Kokila” (“Sadma” in Hindi) where once the body wakes up to life and the spirit of Tamanna vanishes, the subject’s life protector Ram is forgotten by Tamanna. Like in “Black” movie. There is a sequence that reminds you of “3 Idiots” where the spirit guides the man how to resuscitate a person from cardiac arrest. Rings a bell?So, its quite a complicated plot made longer because comedy, action and entertainment is enmeshed into the story. Karunakaran has got the talent to extract uproarious comedy from his actors, he gets the laughs with super ease. Despite the plot sounding implausible and bizarre, the director knits it well and creates a ruckus pre-and-post-interval. Performances by both Ram and Tamanna are vibrant and competing in scale with each other. Tamanna is indeed the surprise package in the film and she delivers her finest performance – thoroughly enchanting and professional. It is not Ram’s film, it is Tamanna’s – credit uncle and nephew for that. Almost everybody else sizzles – old and new.

There are enough punchlines for every character and that makes this film the second-most exacting in terms of A-320 Airbus-filled starcast by the director after “Darling”. Bigger than “Darling” and more daring and audacious. Kona Venkat adds a weighty presence both as a dialogue-writer and villain. Rishi as the main villain is intense too. Music director, GV Prakash Kumar, nephew of A R Rahman, is becoming a source of worry. His output is getting inconsistent, he uses the wrong notes at the wrong time. While the songs are a bit too westernized to resonate well with all classes, his BGM score needs avuncular help from Rahaman. Just because he has talent, doesn’t mean you underscore or embellish when, frankly, the best way is to do the opposite. Composing BGMs is an art- let him learn from legends like Ilayaraja and Rahaman or guys like DSP and Mani Sharma.

To sum up, this may not be Karunakaran’s best film till date but it won’t disappoint you because it’s a new genre, a fresh starcast, neat family fare and a cracker of a comedy. You can watch it once. You can watch it more had the movie been shorter by 2 reels. Maybe the director who wears a cap, has felt a surge of creativity from too many movies but it is important for this director to thrive – he may falter on the execution side occasionally but never gives a crass output or one that makes the family audiences cringe.