"Nani's GangLeader" (Telugu)

Once in a while, a Telugu film comes with a winning script which defies genre, packs a punch and loads of entertainment in each scene, pulls you deep inside a pacy narrative with great story-telling, energetic performances and hits the bulls' eye with a non-formulaic approach. Director Vikram K Kumar is known for making films where the dimension of time is sliced in clock-wise and anti-clock-wise directions often confusing the viewers without any defined storyline. But in NG, he surprises us with a well-written script and simpler narrative nuanced as the story unfolds; he puts an unthinkable starcast and concocts an indigenous but rare story that can only happen in crime-fiction novels. Yet, the output is engaging, outrageous, funny and thoroughly entertaining, joined by cinematic twists and a social cause at the end. The story has an audacious premise to start with - a gang of five different-aged females come together to polish off a deadly killer who killed one each of their respective members. Enter Naani, the gang-leader who comes with his own agenda who offers to help the gang reach their targeted villain. What conspires later is a premium range of thrills audiences haven't been treated before in a long-time with lots of fun and fluent narration. The last time I experienced new thrills of this variety was when I watched Gunnam Gangaraju's "Aithe" which was a path-breaking film defying all genres and yet wholesomely entertaining. NG is still a few notches below Yeleti's "Aithe" but nevertheless good to watch once.

Naani pulls off another sensational performance sublimating his screen-presence to accommodate senior talents like Lakshmi and Sharanya and also sharing his screen space with a villain Karthikeya who is at his swashbuckling best. There are moments when Karthikeya steals the show over Naani, Lakshmi dominates Naani with her inimitable style of acting.   In over 157 minutes, director weaves a predictable story with intensity and adrenalin-pumping action - romantic track is subtle and neat. He takes time to build the tempo in the first half but makes up for lost time with a brilliant climax. Technically, the film should have been a clean "U" certificate except for the gaffe in the first half and second half about male dating - oops...it still draws good laughs thanks to Vennela Kishore. Naani deserves a pat for choosing a film where story is the real hero - no swagger, no female skin-show, no indulgent talk. His filmography reminds you of the Chiranjeevi's first fifty films where story defined everything - a lesson here for all the rising stars, superstars, power stars, omega stars and rebel stars whose self-centered dialogues and narcissistic camera angles have been depriving the audiences of great cinema. Naveen Nooli's editing seems like a masterclass in editing and provides good support to Anirudh's music score. There are only four songs in the film but the pacing of the songs and the BGM with music leveraged out of the four tunes make it a draw. After "Jersey", this looks like a film which will keep the cash registers ringing for Nani. Karthikeya, the hero who looks like an Adonis perhaps gets the most stylish villain role that Tollywood hasn't seen for a while. By insisting on better shot-selection and introduction and build-up of his character, Karthikeya steals thunder from Nani in the same way Vijay Deverekonda did in "Evade Subramanyam". Flaws of logic permeate the script on why police are kept in the dark, and how banks share CCTV footage so easily and so on. Despite all that and the predictability of the film, a Paisa-vasool film and a great family entertainer. Must watch.

Rating: 3.5/5

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"Asura" (Telugu Movie Review)

"Asura" (Telugu)

Tollywood never tires of making cliched plots - each hero wants to prove he can dance, he can fight, he can romance and still look good in sentimental scenes while getting the laughs and the claps from audience for outrageous dialogues. But a door for bringing in fresh stories and credible treatment keeps getting pushed every now and then. Krishna Vijay is one such debut director who came up with a winning plot that has a slow pick up, a steady build-out, a dabanng of an interval block and a slithering climax that beats your imagination. Nara Rohit is the hero who at least tries something different in an industry where everybody wants to do formulaic action. "Asura" is a good story to begin with - about an honest and a large-hearted Jailor Dharma (Rohit) of Rajahmundry Central Jail whose job is to ensure the inmates spell no trouble in serving the sentence. He is a protege of a Superintendent who believes in the same sincerity and integrity. He is also in love with Priya Banerjee (a pretty faced debutante) and is about to marry her.

Life moves smoothly for the jailor until a notrious diamond smuggler Madhu enters Rajahmundry Jail as a convict who has to serve the last few days in prison before getting hanged. Dharma is wary of the criminal record of Madhu and allocates "D" block - the cell reserved for the most condemned criminals. Meanwhile, Madhu's petition to the President of India gets rejected and the day of hanging is round the corner. Three key personnel who have to oversee the operation goes right prepare for the D-day - the magistrate, the jailor and the hangman. The person to be hanged, Madhu, however is cool and jibes that he will go scot-free. Here comes a twist - where elements connected to the criminal outside of the prison cast their net on the three key personnel to ensure the hanging never takes place. And then the story, sorry will not give away anything, just builds up to an amazing crescendo and the climax that is a blinder. Will he get hanged? Will the jailor get suspended? Who has the last laugh? These questions linger on throughout the second half until the story comes to a smooth finish with a plot that is bigger than what is plotted inside the prison. 

At a time when the audience is getting vexed with boring plots and insipid story-telling, Krishna Vijay attempts something different that is going to be talked about for a while. How many heroes have the guts to play an unglamorous role of a Jailor? How many have the guts to cast a bevy of characters mostly from the TV Channel segment? And how many can finish off telling a good story with five songs and few stunts in all of 126 minutes? "Asura" needs to be applauded for making a good experiment decent enough to make it watchable except a bit of tardiness in the first half. The second half is racier than the first and all elements of screenplay, background score by Sai Karthik, and dialogues and editing uplift the experience to give us a new feel. If only more people think like the makers of this film, Tollywood's better days may not be far off.
The only thing that can be held against the director is the liberty taken in some procedures of hanging but in the spirit of the story that moves forward, they were quintessential for the main plot. Nara Rohit is getting fat but his brain is working smarter than most of the heroes in Tollywood who are herd-headed in the other direction. Sai Karthik scores good songs and impressive RR. Priya Banerjee is the new Bengali lass who does a good job. The villains look terrific and did a commendable job. 
It is the most thrilling film of the year and I recommend it whole-heartedly.

Rating: 3.5/5