“Brothers” (“Maattraan” in Tamil) is the dubbed film starring Tamil superstar Suryaa directed by K.V.Anand who made one of the best movies – “Rangam” in 2011. K.V.Anand’s first film is about the rot in media and politics that’s splitting the social fabric. In “Brothers” (“Maatraan”), he takes on a much more advanced topic that’s still being discussed and the jury is still out at Biodiversity summits and conclaves – Genetically Modified Foods. But wait, that is not the basic story. It is more complicated. Its about the bonding between conjoined twins (joined at the hip) both played by Suryaa - who are born after Prof. Ramachandran (played by Sachin Khedekar) performs many experiments in artificial insemination in trying to create the ultimate gene factory – someone who is multi-talented combining the likes of Sachin Tendulkar, Ilayaraja, Michael Jackson and seven other people. Sounds absurd, right? Is that all? Its a little more complicated. At the outset itself, despite the efforts by Professor to implant the best sperm bank in his wife’s womb, Surya square is born as conjoined twins much against his wishes. Later, the professor forms a company called Locus Lactos Limited which makes a billion dollar Energy Drink containing milk-related contents. Soon, this energy drink called “Energion” leads the market with over 70% market share causing consternation in competition. It leadis to lot of industrial espionage from foreigners who you gather are actually from Ukraine. Why do these foreigners want to unravel the secret formulae of “Energion”? Its even more complicated. The team from Ukraine suspect that the drink made by Prof.Ram’s company is debilitating the health of the consumers by boosting the energy in short-term but flattening their lives with harmful overdoses of steroids. Or Androids. Who cares?
Our conjoined twins – Vimal and Akhil – sons of billionaire Prof.Ram meanwhile date Kajal agarwal – who is a petite Russian translator who figures out exactly what’s happening with the company and Professor. But by then, Prof.Ram and his criminal gang of overlords in factory intercept and eliminate each one of the so-called spies who uncover the real happenings in the factory – where products are inter-mixed with hazardous substances that kill millions of lives. The shocker in the film comes bang in the middle of the film at interval time – where the father of the conjoined twins hires organized labour to kill the main whistle-blower, his son Vimal. Then, in a bid to survive Akhil, the doctors transplant Vimal’s heart into Akhil so he survives. And later Akhil gets to the bottom of the murky dealings. He takes the help of Kajol to get to the real story in Ukraine which is even more complicated. Then the painful ending of realization by the father and the final confrontation between the father and the son. Phew! Quite a story that, can’t be retold without gulping down the daily intake of water a man requires.
K.V. Anand has actually steamrolled three stories into one story and like the father of the conjoined twins tried to infuse a giant killer of a plot that will be called the mother of all films. There is a story of conjoined twins, which by itself, if allowed to progress smoothly would have been a perfect entertainer. Then there is a story of industrial espionage which looks credulous. And then, there is a story of Genetically Modified foods enmeshed with animal and clinical trials of drugs tested before market release that is poorly researched and misinforms. Allowing the three stories to interact with each other in a simple plot of action and romance is the biggest mistake K.V.Anand has made. The most glaring defect in the story is the weak characterization of father - Prof.Ramachandran played well by Sachin Khedekar. How can a father be so heartless to kill his own sons right from the infancy stage to the stage they begin confronting him? By showing that a father’s sense of mammon-worshipping knows no bounds, KV Anand’s plot is the weakest I have seen in years in the manner of being absurdly wicked against one’s own children. This is why, one feels switched off after knowing the culprit is the father and the one who is massacred is one’s own offspring – it kills whatever emotion is left in the film half-way through. Had the villain been somebody else whom the twins attempt to bring to justice, it would have felt differently and maybe might have been more watchable. The initial sixty minutes of the film where the conjoined twins grow up with an overlapping body part in the hip, go to study and chill and enjoy being together in bath or baseline tennis – all of that sizzles and the audience gasp for more. But once the interval comes and goes, there ends the best part of the film and all the soul in it. The second half bores you with the tedium of the plot that’s already known well before the interval - it reminded me of the same way in which “7th Sense” (“7th Ariyu”) dragged its plot in the second half with monotonous villainy and lack of depth in characterization of the villain. In a bid to make it international (the film has atleast 15 minutes of running time in foreign languages – Russian, et al) the film over-concentrates on the dense and complicated plot without checking for its emotional content, comedy (hardly present and comes like a whiff of fresh air only in the first half).
Why does a father want to kill his own children? How can higher market share of a drink correlate with rising health hazards of children who consume it? How come everybody from Food Inspector to the highest authorities and police turn a nelson’s eye to the frauds perpetrated by the company and nobody detects except competition and eventually family members? What is the connection between a sperm bank and conjoined twins? (It has nothing to do with it. Incidentally, there has been a famous project called Nobel Prize sperm bank project which tried to collect sperm from 100 Nobel Prize winners and make a genius baby but finally the project itself became a damp squib. But that’s an interesting story). What is the most harmful substance in an Energy Drink, lets say Red-Bull? (It is caffeine and not Steroids). What is the connection between Genetically Modified Organisms and the killer product? (Again that is not explained very well by the director who made it more to sound intellectual without explaining the pros and cons of GM foods. This is not just K.V.Anand’s fault – there are several happening directors in Tollywood also who drop jargon-sounding words in the middle of a script just to pander to A-class and balcony seat audiences. By the way, this is not a conclave to discuss GMO etc. but my short take on them is that it is the most misunderstood term almost like 3-D printing - the debate should be more on who owns the seeds etc. and not on the malefic side-effects of Genetically Modified Seeds. BT Cotton seeds since introduction in India have already made India a net exporter than a net importer). There are many questions unaswered. Finally, the director should have researched on Barcelona Olympics 1992 where he says the United Team (ex-USSR republics) beats the USA because of the Energy Drink made by our Professor; it actually beat the US by a mere four medals.
What is the point? My point is that nobody denies cinematic licenses to creative directors to experiment with new genres and present different themes under one roof but why do they do poor homework, play with the wrong emotions and mess up the plot? Why over-complicate? Why not make a documentary on GM Foods or Drug trials instead of making films that suck? The real casualty is Suryaa because this film will definitely disappoint his fans despite his superlative performance as conjoined twins. Showing two different shades as conjoined twins was sheer brilliance and he excels with his all-round talents. He shows class and mass with ease unlike other heroes. Performances by Kajol is average despite huge potential of full-length role. Kajol is becoming predictable as a glamour doll without any new variations. Sachin Khedekar has got a plumpy role and he makes most capital of it after Suryaa, of course. Music by Harris Jayaraj has been good in parts. Since Harris Jayaraj has got a natural proclivity towards incorporating Russian instrumentation in his music, he composes his heart out in a few songs set in the backdrop of the Ex-Russian republics but not many memorable numbers to root for. His BGM is better than the songs but all said, Harris Jayaraj is a gifted composer whose stamp on Suryaa’s career has been most vivid and it follows here too. Cinematography and visual effects have been brilliant and atleast two songs - one starring Isha Sarvaani and another starring the conjoined twins romancing Kajol in Norway were brilliantly picturised. Stunts by Peter Hein have been very impressive. The fight before interval running for over 18 minutes is astonishingly shot with all the roller coaster and speed-revolving trains orbiting at their speeds and a frighteningly risky fight ensues between the twins and the rowdies. On the whole, the movie doesn’t deliver and has lot of mental floss that disengages you from the right mood to watch the film because of wrong emotions, lack of a good romantic track between Suryaa and Kajal. You can give 1.5 for the technical efforts of the director and one more for Suryaa’s masterly effort but afterwards you have to say “Oh My God”. 2.5 out of 5 but not a film that entertains cleanly.
Our conjoined twins – Vimal and Akhil – sons of billionaire Prof.Ram meanwhile date Kajal agarwal – who is a petite Russian translator who figures out exactly what’s happening with the company and Professor. But by then, Prof.Ram and his criminal gang of overlords in factory intercept and eliminate each one of the so-called spies who uncover the real happenings in the factory – where products are inter-mixed with hazardous substances that kill millions of lives. The shocker in the film comes bang in the middle of the film at interval time – where the father of the conjoined twins hires organized labour to kill the main whistle-blower, his son Vimal. Then, in a bid to survive Akhil, the doctors transplant Vimal’s heart into Akhil so he survives. And later Akhil gets to the bottom of the murky dealings. He takes the help of Kajol to get to the real story in Ukraine which is even more complicated. Then the painful ending of realization by the father and the final confrontation between the father and the son. Phew! Quite a story that, can’t be retold without gulping down the daily intake of water a man requires.
K.V. Anand has actually steamrolled three stories into one story and like the father of the conjoined twins tried to infuse a giant killer of a plot that will be called the mother of all films. There is a story of conjoined twins, which by itself, if allowed to progress smoothly would have been a perfect entertainer. Then there is a story of industrial espionage which looks credulous. And then, there is a story of Genetically Modified foods enmeshed with animal and clinical trials of drugs tested before market release that is poorly researched and misinforms. Allowing the three stories to interact with each other in a simple plot of action and romance is the biggest mistake K.V.Anand has made. The most glaring defect in the story is the weak characterization of father - Prof.Ramachandran played well by Sachin Khedekar. How can a father be so heartless to kill his own sons right from the infancy stage to the stage they begin confronting him? By showing that a father’s sense of mammon-worshipping knows no bounds, KV Anand’s plot is the weakest I have seen in years in the manner of being absurdly wicked against one’s own children. This is why, one feels switched off after knowing the culprit is the father and the one who is massacred is one’s own offspring – it kills whatever emotion is left in the film half-way through. Had the villain been somebody else whom the twins attempt to bring to justice, it would have felt differently and maybe might have been more watchable. The initial sixty minutes of the film where the conjoined twins grow up with an overlapping body part in the hip, go to study and chill and enjoy being together in bath or baseline tennis – all of that sizzles and the audience gasp for more. But once the interval comes and goes, there ends the best part of the film and all the soul in it. The second half bores you with the tedium of the plot that’s already known well before the interval - it reminded me of the same way in which “7th Sense” (“7th Ariyu”) dragged its plot in the second half with monotonous villainy and lack of depth in characterization of the villain. In a bid to make it international (the film has atleast 15 minutes of running time in foreign languages – Russian, et al) the film over-concentrates on the dense and complicated plot without checking for its emotional content, comedy (hardly present and comes like a whiff of fresh air only in the first half).
Why does a father want to kill his own children? How can higher market share of a drink correlate with rising health hazards of children who consume it? How come everybody from Food Inspector to the highest authorities and police turn a nelson’s eye to the frauds perpetrated by the company and nobody detects except competition and eventually family members? What is the connection between a sperm bank and conjoined twins? (It has nothing to do with it. Incidentally, there has been a famous project called Nobel Prize sperm bank project which tried to collect sperm from 100 Nobel Prize winners and make a genius baby but finally the project itself became a damp squib. But that’s an interesting story). What is the most harmful substance in an Energy Drink, lets say Red-Bull? (It is caffeine and not Steroids). What is the connection between Genetically Modified Organisms and the killer product? (Again that is not explained very well by the director who made it more to sound intellectual without explaining the pros and cons of GM foods. This is not just K.V.Anand’s fault – there are several happening directors in Tollywood also who drop jargon-sounding words in the middle of a script just to pander to A-class and balcony seat audiences. By the way, this is not a conclave to discuss GMO etc. but my short take on them is that it is the most misunderstood term almost like 3-D printing - the debate should be more on who owns the seeds etc. and not on the malefic side-effects of Genetically Modified Seeds. BT Cotton seeds since introduction in India have already made India a net exporter than a net importer). There are many questions unaswered. Finally, the director should have researched on Barcelona Olympics 1992 where he says the United Team (ex-USSR republics) beats the USA because of the Energy Drink made by our Professor; it actually beat the US by a mere four medals.
What is the point? My point is that nobody denies cinematic licenses to creative directors to experiment with new genres and present different themes under one roof but why do they do poor homework, play with the wrong emotions and mess up the plot? Why over-complicate? Why not make a documentary on GM Foods or Drug trials instead of making films that suck? The real casualty is Suryaa because this film will definitely disappoint his fans despite his superlative performance as conjoined twins. Showing two different shades as conjoined twins was sheer brilliance and he excels with his all-round talents. He shows class and mass with ease unlike other heroes. Performances by Kajol is average despite huge potential of full-length role. Kajol is becoming predictable as a glamour doll without any new variations. Sachin Khedekar has got a plumpy role and he makes most capital of it after Suryaa, of course. Music by Harris Jayaraj has been good in parts. Since Harris Jayaraj has got a natural proclivity towards incorporating Russian instrumentation in his music, he composes his heart out in a few songs set in the backdrop of the Ex-Russian republics but not many memorable numbers to root for. His BGM is better than the songs but all said, Harris Jayaraj is a gifted composer whose stamp on Suryaa’s career has been most vivid and it follows here too. Cinematography and visual effects have been brilliant and atleast two songs - one starring Isha Sarvaani and another starring the conjoined twins romancing Kajol in Norway were brilliantly picturised. Stunts by Peter Hein have been very impressive. The fight before interval running for over 18 minutes is astonishingly shot with all the roller coaster and speed-revolving trains orbiting at their speeds and a frighteningly risky fight ensues between the twins and the rowdies. On the whole, the movie doesn’t deliver and has lot of mental floss that disengages you from the right mood to watch the film because of wrong emotions, lack of a good romantic track between Suryaa and Kajal. You can give 1.5 for the technical efforts of the director and one more for Suryaa’s masterly effort but afterwards you have to say “Oh My God”. 2.5 out of 5 but not a film that entertains cleanly.
