"David Billa" is supposed to be a prequel to the "Billa" franchise. Directed by Chakri Toleti. Telugu folks should know this guy. He was the smiley kid who waits for Kamal Hassan's perfect "Bhangima" in "Sagara Sangamam". Yes, the sa me guy grew up and made "Eenadu" (Remake of "Wednesday"). And now, "David Billa" with Ajit Sir. To be fair, the movie has got everything on the face of it - a kill...er app franchise, excellent technical team of editors, screenplay writers and cinematographers. And some terrific music by Yuvan Shankar Raja. It has a less obese Ajit who is seen as less conceitful than what the character demanded in "The Gambler". To top it, a bevy of villains from Rahman to Sudanshu Pandey. Sudanshu Pandey is definitely a find - he is suave, intense yet subtle and stylish - combines the looks of Kabir Bedi with Mukesh Rushi. He is one of the reasons to see the film. But Ajit does monotonous acting - there is no improvisation and no new swagger and chutzpah that he usually embellishes his portrayal with.
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The story unfolds the usual way a Don emerges - a refugee from Sri Lanka, odd jobs of smuggling, working as a retainer, and then climbing up the ladder. We have seen this movie before, you get the feeling. Chakri Toleti, no doubt, has got the talent for intelligent film-making but his sensibilities are more shaped by Hollywood than by native touches. So, the movie seems like a concise procession of stylish visuals with fancy massage girls, slush money, drug-levelled suitcases, and slick gunshots and neck-stabbings. The biggest drawback is lack of entertainment. Romance is also hugely amiss - atleast one of the two girls is good-looking but apart from giving avuncular glances and dont-mess-with-me looks, Ajith comes a cropper there. There seems to be some problem of re-inventing himself for the masses and plots like that of a Don wont help. Chakri Toleti should attempt varied plots to show his talent. The only redeeming feature for me has been Yuvan Shankar Raja - his BGM music is outstanding. You can give the movie a miss because its all gloss and no substance.
The story unfolds the usual way a Don emerges - a refugee from Sri Lanka, odd jobs of smuggling, working as a retainer, and then climbing up the ladder. We have seen this movie before, you get the feeling. Chakri Toleti, no doubt, has got the talent for intelligent film-making but his sensibilities are more shaped by Hollywood than by native touches. So, the movie seems like a concise procession of stylish visuals with fancy massage girls, slush money, drug-levelled suitcases, and slick gunshots and neck-stabbings. The biggest drawback is lack of entertainment. Romance is also hugely amiss - atleast one of the two girls is good-looking but apart from giving avuncular glances and dont-mess-with-me looks, Ajith comes a cropper there. There seems to be some problem of re-inventing himself for the masses and plots like that of a Don wont help. Chakri Toleti should attempt varied plots to show his talent. The only redeeming feature for me has been Yuvan Shankar Raja - his BGM music is outstanding. You can give the movie a miss because its all gloss and no substance.
