"Love Failure" is an Indian euphemism usually branded for emotional wrecks and one-sided lovers. Siddharth, who loves giving breaks to debutant directors has starred in a fantastic movie that must become another career-defining milestone after "Bommarillu". Dil Raju surely might regret missing a chance to back Mohan (director) and Siddu the third time because this film has universal appeal universal applause. Siddharth has boldly backed himself and the script and silences all his critics of the past half a dozen movies. The only way to answer your critics is to let your work speak loud for itself. An untried and fresh-looking starcast, a sans-makeup Amana Paul, a plot about two, no, many Engineering students and infact several couples of diverse traits and different age groups as to how they think, act and feel towards each other - all these could happen because Siddharth after many flops has chosen to trim his anchor role and make way for many others to perform and entertain. For most part, Siddharth runs a narrative staring at the audience trying to talk like a John Gray - getting under the skin of lovers as to why they break up and bid farewell. For the first time, Balaji Mohan attempts an honest overview of the state of mind and thinking pattern of today's generation in a way that will surely bridge generation gap. All this with minimum hassle and maximum clarity - thats the high point of the film.
There is occasional comedy again from unconventional-looking freshmen and right-dosed sentiments from under-exposed character actors - so they all stand out. Music by SS Thaman, surprise surprise, is enchanting and melodious without any mass strains of pied piper tunes that he has been, of late, playing. Thaman has created a different texture to the sounds in the film with BGMs and songs unconventional. Balaji Mohan's work and class in scripting, shot-selection, screenplay and mature handling of the subject of Love and Relationships smacks of a lot of promise in the freshness he brought. Movie's length also an advantage as its done with in two hours. Though there is a didactic touch to the movie because the hero (Siddharth) narrates as the main interpreter of maladies that besiege love. He metastasizes love as a serial with many characters and couples who run to the edge of divorce. What's impossible feat in the film - No fight, no item song, no action stunts, no sleaze, no exotic sets or SOTC world tour packages - there is not even a trace of a duet between Siddharth and Amana Paul but still the sparks are flying! Refreshing and welcome break from formula fares. Siddharth deserves a high-five after a long time for a bold and engaging script.
There is occasional comedy again from unconventional-looking freshmen and right-dosed sentiments from under-exposed character actors - so they all stand out. Music by SS Thaman, surprise surprise, is enchanting and melodious without any mass strains of pied piper tunes that he has been, of late, playing. Thaman has created a different texture to the sounds in the film with BGMs and songs unconventional. Balaji Mohan's work and class in scripting, shot-selection, screenplay and mature handling of the subject of Love and Relationships smacks of a lot of promise in the freshness he brought. Movie's length also an advantage as its done with in two hours. Though there is a didactic touch to the movie because the hero (Siddharth) narrates as the main interpreter of maladies that besiege love. He metastasizes love as a serial with many characters and couples who run to the edge of divorce. What's impossible feat in the film - No fight, no item song, no action stunts, no sleaze, no exotic sets or SOTC world tour packages - there is not even a trace of a duet between Siddharth and Amana Paul but still the sparks are flying! Refreshing and welcome break from formula fares. Siddharth deserves a high-five after a long time for a bold and engaging script.
