Raghav Bahl - the original media baron!

Sad to see Raghav Bahl sign off from the group he built from scratch. While Prannoy Roy was part of our growing interest in media, Raghav Bahl made the progressive jumps in media's leaps in technology. He was a chatty host for a programme called "Newstrack" produced by India Today magazine. My parents and I used to wait for editions of "Newstrack" every fortnight - it had the most comprehensive coverage of the newsmakers of that time and of course, the most candid interviews. I still remember Amitabh Bachchan's best interview till date was from "Newstrack".

As a lead anchor, Raghav Bahl was an original - chatty, witty, intelligent and full of beaming smiles - always talking in an accent that even Chaiwaalahs and butlers will understand. The program was such a smash hit that video parlours were ordering multiple copies and there used to be commotion to watch it first in households. It was a watch-per-your-convenience alternative to the other interesting programme of the 1980s - "The World this Week". Raghav Bahl then ventured into TV 18 - that made history by tying up with CNBC.

Those were the days of only three pink papers and one white paper -and the idea of a business channel itself was revolutionary. Raghav Bahl did it again with unconventional guys leading the commentaries and anchorage - Paronjoy Guha Thakurta and Senthil Chengalvaranarayan were the prime poster-boys. Paronjoy still asks questions longer than what anybody can give answers to and Senthil - he still looks like a boy who just topped the IIT entrance but stammering to speak fluent English. Over the years, the network grew. I still remember the wealth-creation opportunity Raghav Bahl gave us in 1999-2000. I was working in HDFC Bank heading the Loans Against Securities division. TV18 came out with an IPO and I had a brief to do IPO-financing to investors. The IPO season itself was getting dizzy with the successes of Polaris, Glenmark and Hughes Software. It was the middle of the dotcom era where TMT (Technology, Media and Telecom)  stocks were the darlings of the market. Previously, Polaris Software created a record for post-listing performance. But TV18  - how do you value it? How can you be so sure? I put my my money where my mouth is - I beseeched my parents also to put multiple applications. I persuaded all my customers at HDFC Bank to plonk their savings into TV18 IPO. Total applications  collected 2150 from Hyderabad. The IPO listed like a Godzilla - it soared 700 per cent upwards. Raghav Bahl created a jackpot for investors. Very few could retain the shares even for few years after the IPO because it was running up and away, defying gravity. The dotcom burst finally, stock tumbled but the group still bludgeoned in its many manifestations and forays into new businesses - moneycontrol.com, film distribution, financial literacy books, etc.

Nobody in contemporary Indian mediascape has harnessed the power of media in all its unleashing of the many Avatars - Raghav Bahl rode all of them. He was there in every wave of the media business from VHS cassettes to Digitalisation of cables. He  created a great team, led from the front, raised equity from the market,  shared his wealth with the public and the employees and always happy to step back (even giving up controlling stake) when a stronger partner stepped in - like Viacom. Network18 hit the lows too - when credibility suffered as the CNBC channel in India nose-dived, the ownership of the channel fell into the cartels of stock brokers, and now lies in the hands of India's most hated businessman. Whatever Raghav Bahl achieved so far, warts and all, he deserves a special mention in the history of Indian media. He proved again and again with his foresight and enterprise that he can bounce back.  Raghav Bahl, in my mind, is the holy trinity of Indian media that every student of its history will admire - the other two being, Prannoy Roy and Ronnie Screwala.

Amway CEO arrest again!

I wrote this longer piece almost an year and a half ago on the arrest of Amway's CEO then. And it happens again. The shorter version of this blog post got published in Businessline too: "The Bane of Multi-Level Marketing". (http://tinyurl.com/lpq5bsu)

Amway's CEO got arrested for financial irregularities. I am so glad this happened in my lifetime and not during my kid's retirement years. Amway is just one of the several MLM schemes that have got the better of many intelligent people. I know of most sober and savvy people working in companies like Google, Microsoft, SBI, SBH, ICICI Bank, HDFC Bank guard the Amway products and schemes like a fanatical zealot. I had always resisted the advances of such people and wondered what is it with lovely people who will turn mercenaries overnight and begin to talk like vacuum-cleaner salesmen. Daniel Pink has just written a book "Its Human to Sell." I beg to differ. It is not human to sell always, especially when the audience is captive and they are your best buddies, teachers, students, co-workers, pen pals, boss's wife or husband, twitter followers, facebook friends, landlords, tenants, co-travellers, gas suppliers, meter readers, you name it. I have gone through the embarrassments of being at the receiving end of atleast few of my relatives and friends and closer kin. I was devastated whenever I went through the experience, I couldn't say No because they are so close to me, I couldn't buy the products, and I wouldn't "recruit" more. The chain invariably broke with me and I could never, never again resume a normal conversation with any friend or a relative or an acquaintance who sold me vague concepts of "time", "annuity", "financial freedom" and other fuzzy financial management concepts steamrolled into emotional packages.

At the core of such schemes of Amway or any such MLM scheme lie three principles: 1. They play on your insecurities of life - inadequate money, passionless job and rising expenditure to match aspirational levels.
2. They indoctrinate you with fancy "recruiting" functions that have the feel of an Evangelist session where many newcomers like you are greeted by older "recruits" breaking out into ecstatic shouts and shrieks, even getting footloose from where they are standing, talking about "How I raised myself from failure to success in selling Amway/Tupperware/Japanlife/Saradha/MihiraMagic/Landmark/whatever, how everything in life is achievable and all prosperity is sitting in the bank balance and how you can too". You have to attend atleast five such functions before you get into the jingoism that is smeared into the experienced elite who are singing hosannahs now.
3. Then having got you, your "converted" zeal, you will have to get into a producing mode of recruiting other people into your network, or become a huge consumer or even a pro-sumer  - a combination of both. This is where, very few make it. And those who make it, may have succeeded against all odds - of embarrassments, of ostracisation, of hard-selling their own friends and colleagues and relatives.

I have seen a few cycles of such principle-centered selling of these schemes and have been a victim of atleast one bad experience where I was conned into a Questnet MLM scheme in the hope of owning a rare coin, an insignia of a FIFA World Cup, which will become so rare that it will cost more than the gold and the silver blended into the coin. Finally, the Questnet scheme owner got arrested and the scheme was abandoned. Having paid Rs.45000 in those days for a puny coin which has a Mexico World Cup signage on it. I got a mere Rs.9000 when I gave it to my mother a few years back because there was less silver than gold and even less gold than the powder used as letters on the coin! For all the love of soccer, my savings became a succor for someone's greed. I never invested in any Ponzi scheme after that because I now firmly believe P.T.Barnum, America's greatest showman salesman who said: A sucker is born every minute.

Many years back, when I was a banker at BNP Paribas, I spotted atleast two such Ponzi schemes  - Mihira Magic, which made stuff that are flying off the shelves just as Amway products today  and a call-centre which operated like a Ponzi scheme, which I will not name. Mihira Magic also finally folded up but I tried to outstmart the owners by making every chain subscriber open a salary account with the bank. It won me lot of plaudits and helped me register a fine performance at work. But the tragedy struck elsewhere, BNP Paribas, the retail bank folded up in India before Mihira Magic pulled down the curtains many years later. Moral of the story here: One swallow doesn't make a summer for a bank.

At a basic level, at a very conceptual level, one can argue that all schemes are Ponzi Schemes, whether it is about products or product managers or product consumers - its all about recruitment. But the ones that stand out are usually having the flavor that marks all the others which eventually collapsed, sooner or later. Having been in sales and relationship-building for many years now, I like to conclude this autobiographical excursion on Amway-like schemes with a few strong learnings which I learnt after many fifty-hour work-weeks during my career.
One, whether you are an employee or a business owner, your biggest asset is your career (in case of a working professional) or your business (in case of an owner or an entrepreneur).
Two, Invest in your career or business most because they have the best payoffs. Do not fall for schemes which promise you the moon and the six pence - they cannot succeed like the way you can.
Three, Stop burning your inner and outer circle of contacts with bummer proposals and schemes which take you nowhere and what more, ostracise you forever. Build your skills, spend all your energies into making yourself relevant, employable and precious till your last day. There is no financial freedom that comes without blood, sweat, tears and hardships. DeVos is the richest man in Michigan. Okay, he is the co-founder of Amway, is worth $5.1 Billion but that is the worth of all his factory assets and stocks traded. The rest of the MLM subscribers are not worth as much.
Four, in a day of 24 hours, you work for 8 hours whichever way and sleep for 8 hours.  The remaining 8 hours is for relaxation, recreation, renewal or capacity-building. Not for selling a pipe-dream, somebody else's dream.
Five, repeat of point no.three. Do not run the risk of becoming a social outlaw - "Here comes the Amway man or woman". Get the boot or Re-boot your thinking about MLMs. Build businesses or Invest in businesses or become a careerist. Don't be a MLM evangelist.

"Vikramasimha" (Telugu)/"Kochadiyaan"(Tamil) Film Review

This is one Rajanikanth film that is made for the family and it doesn't deserve the adulation and the anticipation built into it. A colossal waste of money and effort, in short. Made with lot of passion and talent and money riding on it - screenplay by KS Ravi Kumar, cinematography by Rajeev Menon, music by AR Rahman and of course, direction by Rajani's daughter Soundarya Aswin, the film is an animation film shot in 3D with motion capture technology - similar to what is used by James Cameroon in "Avatar". The only difference is despite having the money to spend in making a great film sound on technicalities, Rajani's team cut corners in editing, lighting, landscaping and set design and in the execution itself - resulting in a shoddy output that is below world-class.

The story is itself is nothing new - another fable from Chandamama folklore without drama and twist which straight-lifts scenes from some of the famous films that capture the cult of the colossal hero like "Braveheart", "Gladiator", "Ben Hur" and "Robin Hood". The story by KS Ravi Kumar, the most successful director for both Rajani and Kamal is a simple tale of rivalry, love, betrayal and revenge. The rivalry is between two ancient kingdoms - Kotapatnam and Kalingapuram. A commoner Vikramasimha (Rajani) rises from the ranks to command respect from Kotapatnam that armies cannot get. He becomes the most trusted and powerful man until one day he foregoes his army with Kalingapuram in a trade-off between their fight for survival and their slavery. Blamed for treason, the King of Kalingapuram (Nazar) orders Vikramasimha's beheading in the presence of his family and the people. Vikramasimha's son Ranadheera watches that and vows to get back the enslaved people of Kotapatnam. He achieves that and much more including the love of Deepika and the love of the people. This is the story but the screenplay, to be fair, runs in reverse to the order in which I have narrated. That is the most interesting part. The dullness is in the narrative and picturisation.

Director has failed in embellishing the story with the right visuals and richness. In every scene of the animation you see on screen, there are huge gaps - the battlefield sequences look unimpressive, the king's court assembly look like an Amar Chitra Katha cardboard illustration, the shots are mostly either dark or under-lit, and the animations of characters and objects outside of the screen characters are lazy and imperfect. With such a vast canvass of two mighty kingdoms and huge stadia fights, one expected better ouput on screen but the quality of visuals is a big let-down. Except for Rajanikanth as Ranadheera and Nazar as the arch-villain, the motion capture technology has failed to capture the right facial expressions of most characters. Yes, the famous legendary comedian Nagesh finds a reboot in the film but after initial promise, the characterisation fizzles out. Even for Deepika Padukone, this is a forgettable film, her portrayal shows her lacking in feminine grace, bewitching beauty and dancing grace - all of which made her famous in the first place. Characterisation apart, the film's biggest weakness is lack of entertainment and emotional connect with the audience.

The team should have consulted better screenwriters who worked on the best animation projects in studios like Pixar (more now part of Disney's) and Disney's. Today, an animation film in the West is made with a budget of $40 million which  is still more than what a "Robot" or "Enthiran" can collect in a first-run. Except for the pirates scene in the beginning and the bamboo sticks fight before the interval with Deepika Padukone, there is no wow factor in the film. Talk about music by AR Rahman, despite an energetic and exceptionally wide-ranging musical score by the Indian Mozart, the songs do not lift you much out of the dark monotony of the film. The dance movements by Deepika Padukone or second heroine Shobhana are in a world of themselves, out of sync with Superstar or too fast for the music. I wonder if thats a chronic problem with motion capture/performance capture technology. It is unwise to compare with "Avatar" alright but why attempt something with imperfections and expect a blockbuster out of it? If you look at Pixar, they made one smash hit after another from "Toy Story" to "A Bug's life" to "Monsters" to "Finding Nemo" to "Cars" to "Ratatouille" to "Wall-E" to "Brave" and their movies are becoming more Indian, more poetic, more emotional and less prosaic. Prosaic, thats the word that sums up "Vikramasimha" because it lacks that x-factor to make you want to go that extra mile to see and come back for more.

Are there any other redeeming factors from music? It is Rajanikanth who looks like a 21-year old Samurai - nimble, large-hearted, charishmatic and metrosexual. Like in "Basha", Rajani sprinkles aphorisms and pearls of wisdom in the opening song with Ranadheera and the song that comes after interval with the real hero in flashback - Vikramasimha or Kochadiyaan. Lovely references to Kriya Yoga, difference between ownership and leadership,  living long by waking up before sun-rise, the transcience of the world, the fate of being born to parents and the will of choosing right friends. Those pearls embody the personality and principles lived out by Rajanikanth - and find a place in the soundtrack too. On the whole, a film with mammoth effort but minimum impact. If you are a Rajani fan, you will anyway skip this review and go for the film. If not, you may suffer one anyways.  Is the film unwatchable? No, but it is not remarkable either.
My Rating: 2/5.

"Manam" (Telugu) Film Review

"Manam" is a beautiful film -  a flowing tribute to ANR and his lasting legacy. In the works for over two years, the film was making news for many happy reasons until it became clear that this will be ANR's last screen appearance. Directed by Vikram K Kumar ( "Ishq" fame) and produced by Reliance Entertainment, the film has all the elements of a sugar-syrup family comedy with minimum distractions. No villain, no side-tracking comedy and no vulgarity - it has a stamp of class and well-directed sweetness all-round. There are not many families in the Indian film history which had the luxury of appearing on screen in all the 3-G glory. The last time such an act was performed, according to me, was "Kal Aaj Kal" (starring Prithviraj Kapoor, Raj Kapoor and Ranadhir Kapoor). Now, it is the turn of ANR, Nagarjuna and Naga Chaitanya to give us a magical story of improbable origins.

The improbability is the only weakness in the plot - where Nagarjuna is the son of Naga Chaitanya and Samantha and ANR is the son of Nagarjuna and Shriya Saran. How these five people you will not otherwise meet in heaven actually get enmeshed with each other's lives in a cute inter-mixing of two love stories spread over two generations is the bone of the matter. Beyond this, it would be puerile to elaborate the story as it may snatch the thrills of watching a clean film not seen since  the likes of SVSC. The implausibility of the plot is tolerable as today's films have more illogicalities than the subtle cinematic liberty taken by the story-writer of this plot. So the illogicality is passable in the name of delectable entertainment that the film offers.

What are the highlights of the film? Undoubtedly, the scenes between Nagarjuna and Samantha as some of the best supermom moments get unfolded on screen in a rarely seen combination. Then the scenes between ANR, Naga Chaitanya and Nagarjuna - the drinking scene, even if slightly overdone. Then the delicate scenes between Nagarjuna and Shriya in the rural backdrop where bucholic charms haven't erased the purity of some souls. Finally, the roaring screen chemistry between Naga Chaitanya and Samantha for the nth time which makes the film youthful. Performance-wise, Naga Chaitanya gives the best shot amongst everybody as he shares screen space with Nagarjuna and ANR for the first and last time. This is his film, not really Nagarjuna's or ANR's. Samantha and Shriya get their sunshine moments and naturally have a blast. Nagarjuna looks old but carries himself better than some of the commercial roles we are used to seeing him. He should quickly migrate to being part of more such meaningful cinema such as "Manam". ANR is seen for less than ten minutes but by making a delayed entry minutes before the interval and staying the course right till the end, he gives out a dignified performance before he bowed out. Director Vikram used the limited availability of ANR's footage deftly by spacing him to re-surface again and again until that last shot of his where he smiles and waves you goodbye.

Whichever way you look at, "Manam" is a terrific film to watch that doesn't bore you despite the over-extended goodwill messages and sweetness. Infact, the emotions in the film choke you at times and remind you of the beauty of life and the miracles that pour out of love of all kinds. Vikram Kumar is quite a talent in the way he used a venerable starcast including Brahmanandam and MS Narayana. After a long time you get a feeling of confidence of a director in showcasing his mastery with a clean narration, good performances and messages that won't embarrass you in front of your mom. Except that little cheeky jingle of why we say "ladies first", nothing is offensive in the film. What makes the film different is the treatment of the story playing out between different generations of characters and the quality of output. Music by Anup Rubens, his 25th musical score deserves a high five. All the songs are exceptionally peppy and melodious. By using three different scores for each generation of Akkineni family, Anup Rubens has shown he has a talent for matching  song composition skills with a standout BGM. The director's class also shows in his selection of team in dialogues, cinematography. Vikram Kumar sure has a fresh mind that needs more backers  - how he thinks in telling a good story better is a case study. One example, in the song "Ta...Taaa....Tatta Tattaa...." which has Nagarjuna and Naga Chaitanya shake a leg with the old clippings of ANR song, any other director could have used an item girl to add to the stomping on the floor. But by not going for the predictable, Vikram proves he is different. More power to such directors and cinema. In many ways, Vikram's style of commercial cinema reminds me of the class of Radha Mohan, the Tamil director who made many successful films for Prakash Raj.

You wished the film's length of 163 minutes were cut down but I sense some scenes of ANR were not possible because of his passing out so they had filled in with other stuff. Good to see Amala and Akhil get roped in this family drama for the records. Akhil's entry in the end gives an inkling he will also join the family business soon. No less a person than Amitabh Bachchan did a 45 second cameo as a tribute to ANR. What a way to finish off a glorious career! In as much one feels compel to judge a film, "Manam" has surprisingly few shortcomings - which I have already qualified. You will walk away with many good feelings after watching it.

My rating: 3.5/5.

Farewell Dr Manmohan Singh, history will be kinder to you tomorrow.

"Get me the number of Prof. Manmohan Singh", PV Narasimha Rao ordered his PA. His PA didn't know the number. Rao said,"I want him to be called in 10 minutes. Find out from wherever, he teaches at Delhi University." PA found his number by dialling some contacts and connected Dr Singh to Narasimha Rao.

It was 6 am. And Rao came on line to speak to Dr Singh. "Kya Professor Saheb. Bacchon ko Padhaare kyaa? Can you meet me at 9am today?" Dr Singh spoke in monosyllables of "yes" or "no" right from then. He said "yes" to Narasimha Rao's request. The meeting turned into one of India's most dramatic inflection points. For the first time, an RBI Governor whose signature appears on a one rupee note becomes India's new Finance Minister  - and the rest has earned both Narasimha Rao and Manmohan Singh a place in history books. The duo alongwith a few other hand-picked talents took decisions that transformed the economic landscape of India forever.

Dr Singh credited most of his success and boldness of decision-making to Rao's unflinching support. But when the time came for Rao to bid a goodbye to this world amidst unprecedented machiavellian drama and back-stabbing, Dr Singh, as per reliable sources did not even visit the hospital ward of Narasimha Rao before he passed out. For all the talk of "structural adjustments with a human face", Dr Singh didn't have the courage to bypass Sonia to even call on a person who he always called as his mentor.

Twenty years after Narasimha Rao cherry-picked Singh to India's most prestigious Ministerial portfolio, Dr Singh did a similar gesture in beckoning Dr.Raghuram Rajan to India, to test his erudition, prescience and academic brilliance in the laboratory of the Monetary Policy at RBI. History will judge Dr Singh in different light than the judgements passing on him now in the heat of the bittermost election just as history now sheds kinder light on Narasimha Rao's Prime Ministership long after the suitcase scams and JMIM bribery cases faded into oblivion.

While individual achievements in academics, intellectual prowess and the body of contribution to Economic thought-leadership besides the economic reforms unleashed as FM will take many more years to deep-mine, his ascent to Prime Ministership  has been his finest hour and most fallible moment. If you take the history of most Congress Prime Ministers outside of Gandhi dynasty annointed by a demagogic group of politicians, then Manmohan Singh has taken the brunt of brinksmanship and blindmanships all on himself unlike the rest. Guljarilal Nanda was always a standby PM. Whereas Lal Bahadur Shastri actually broke the back of Indira Ganshi to the point of almost driving her out of India to London because he took no nonsense from anyone, least of all encourage the nepotistic ways of Indira Gandhi.  That leaves Narasimha Rao alone who took on the most umbrageous steps of taming the Gandhi parivar, taking baby steps and later giant strides to thwart the dynastic rule in its shameless march. He was checkmated by a confederacy of dunces and a conspiracy of sycophants. That must have played out heavily in the mind of Dr Singh as he took on the role of 'The Accidental Prime Minister'. He became silent and abrogated the responsibility of the chair of Prime Ministership by being blind to all that is happening under his ecosystem.

He may have avoided the wrath of Sonia and the party colleagues but by becoming a Bakra for someone else's surreptious ways and ruthless pursuit of power without accountability, Dr Singh has earned only shame and sympathy in his last few years. It could be a "Saturn" dasa but his redemption in history can only come after time obliterates his scam-ridden second innings from public memory. If the price of silence to unbridled corruption and loot of national wealth is a tenure to India's third longest-serving Prime Ministership, Dr Singh has earned his place too in history books in more roles than what any son of a humble upbringing could have got. For that, Manmohan Singh gets my toast tonight. If only his personal integrity and scholarship and his crisis-management during the tumult of 1991 and again in 2008 had got a better say than his conscience which remained a mute spectator to the misdeeds of Congress, he would have slept better tonight.

Dr Singh's story reminds me of the quote which sums up what happens when you don't speak your mind:

First they came for the Socialists, and I did not speak out-- Because I was not a Socialist.
Then they came for the Trade Unionists, and I did not speak out-- Because I was not a Trade Unionist.
Then they came for the Jews, and I did not speak out-- Because I was not a Jew.
Then they came for me--and there was no one left to speak for me.

A sad story. But as I said, history will judge Dr Singh better than what clouds our recent memory of his achievements.

"Anamika" (Telugu Film Review) /"Nee Enge En Anbe" (Tamil Film Review)

In times of male-chauvinist cinema plots in Telugu and Tamil film industries with kinky moustaches and thigh-slapping bravado, "Anamika" is Viacom's (Network 18) proud entry into the South bastions with a rivetting story based on "Kahaani" that shows Vidya Balan in totally different light after "The Dirty Picture". They picked Sekhar Kammula who has evolved cinematic sensibilities to direct the film and a bankable female star Nayanataara to play the title role of "Anamika". Despite the story's original contours being intact, some axis-shifting changes have been made to nativise the original story.

The original story is of a woman, in her late-pregnancy visiting Kolkata in search of her missing husband. The plot thickens with a stunning, unthinkable climax. It was too sophisticated but the film did phenomenally well bringing laurels to both Vidya, Viacom and Sujoy Ghosh; it particularly did well in markets like China and Hong Kong as these markets welcome unconventional subjects. Given this background, Viacom's choice of Nayanataara in a normal role sucks out the sympathetic chord that enhanced the emotional quotient of the original for reasons best known to the director, the producer and the star heroine. It seems Sekhar wanted bigger challenges for the film. So, the story is straightened a bit, dumbed down for the South audiences with impressive twists and a unique ending that is still unconventional for a vernacular film. Don't want to break the suspense over this thriller of 139 minutes - a unique feat for Sekhar Kammula with a starcast that did a consistently good job throughout except Naresh.

It is Sekhar's luck that such an immaculate team of technicians and crew got roped in for this bi-lingual project and he does a reasonably good job of turning in a watchable thriller with a finish that breaks the female stereotypes. His choice of the Old city of Hyderabad in a cute setting of the microcosm of life amidst rhythmic pandemonium is evocative. Despite a tight script that leaves little room for indulging in Sekhar's famously subtle potshots on current paradigms about life through common people's portrayal, Sekhar registers one or two signature scenes - especially the one in the police station where she is at the receiving end of a callous constable along with others who are used to it. And then, at the kitchen of the hotel where she is staying - where the people are out to help her unlike government servants who are paid to help but won't. Sekhar's strength lies in telling a good story without a rush to impress or embellish - to that extent this is a fine film even if you have or haven't seen the original film. He is also terrific at characterisation, each role is essayed with a precision and nuanced acting that makes the duration of the character's screentime irrelevant. This is Sekhar's greatest under-stated strength which few directors can match.

Vaibhav Reddy, son of director A.Kodandarami Reddy gets a meaty role as the helper policeman who escorts Anamkia in her search for truth. The irreverent hotel manager, the callous constable, and the curious minister Naresh  - all of them are utilised well except that the role of Naresh lacked killer instinct and the justification it needed in the end. Too many questions about his role in the plot were left unanswered. Among the roles that stand out in the film  - the role of renowned theatre actor Vinay Varma as the lusting SI who makes an indecent proposal to find Anamika's husband is intense but short-lived. It is difficult to finess a stage actor to the nuanced performance  packed in by Vinay buyt Sekhar pulls it off. Vinay gives the film's most dramatic "villain" moment and makes an oh-so-soon exit before interval. After him, Pasupathi as Mr Khan gives a standout performance with a variation that may be a few notches below what Nawazuddin Siddiqi achieved in the original. You cannot compare Pasupathi's role with Nawazuddin but he carried the role with all seriousness and intensity that captures the essence of a righteous officer with shades of grey that finally deliver justice. Nayanataara as the silent sufferer who takes on a system steeped in disempowering  the womenfolk is the perfect character played by her in a long time since "SriRama Rajyam". By choosing a role that shows her  deglamourised yet unapologetic for smoking out what she wants in her quest for her husband, she proved her talent goes beyond cherubic smiles and curvaceous dressing.

A word about the technical talents in the film before a word or two about Sekhar. Good to see MM Keeravani haunt you with one helluva song "Kshana Kshanam" that grooves in and out throughout the film's narration. He also composed an arresting BGM for the film with a contemporary appeal that is uncharcteristic of him. This is one of the rare films where his musical arrangements in RR kept pace with his inimitable talent for song-and-dance melodies. Having composed for quite a few films in Bollywood in the past like "Criminal", "Sur" and "Jism",  MM Keeravani  is one of the most under-rated composers in the country, who sadly announced his retirement after "Bahubali" in December 2015. The film's other hero is Marthand K Venkatesh, the editor who shortened the film in Sekhar's format to fit the bill in 138 minutes or so. If the film has defects despite Marthand Venkatesh's editing, they must sit on Sekhar's report card. And these are: Why Sekhar left a few gaps in the plot? Like, who was the guy with a devilish smile and a shooting revolver and why was he killed? What was Naresh's role in the killings? Who was Milan Damji really? Why is Anamika made to look like Bengali houswife in the backdrop of a Dussehra pandal erected by Bangalee Samithi rather than our own "Ammoru"? Questions that were better answered in the original. But if you pass these up as minor flaws in a genre that Sekhar Kammula is not used to handling regularly, then "Anamika" is quite an engrossing thriller to watch. It takes Tollywood to a new high in standards of film-making and investment by studios of repute. "Anamika" deserves to be more widely watched for the effort and class it exudes.
My rating: 3.5/5

How To Vote Intelligently

If you are in Hyderabad or anywhere else in Telangana, West Bengal, Gujarat, Bihar, Jammu & Kashmir, Daman & Diu, Punjab, Uttar Pradesh and Dadra & Nagar Haveli this is for you. When you wake up tomorrow, you have a historic opportunity to break records in the seventh round. No, not the seventh round of whiskey of vodka. But the seventh round to cast your vote.

If you are from Hyderabad, you are blessed twice, friends. You will have to vote twice. First vote is for the Assembly (Pink Paper). Second vote is for the Lok Sabha (White paper). Again, don’t get confused and ask for The Economic Times and Businessline because that’s what urbanites tell you – when they tell you, “ I read the pink paper” or “the white paper on business”. You don’t have to carry both nor roll them. By the way, you don’t have to carry even your mobile phones. You will be sent back if you are found with a mobile phone. Don’t bother passing it on to somebody you spot in your neighbourhood to do the honors. Take some identity card proof and do not forget the voting slip – someone would have given you the same before. If you haven’t yet got, don’t panic. Ask the volunteers of party offices camping outside the voting booth for verifying your names in the list. If you still can’t find your polling station and voter serial no. either visit www.ghmc.gov.in or dial the call center 2111 1111. Or, send an sms as “ SMS KYP to 9177999876.or identity verification, remember, 24 varieties of proofs are allowed from PAN to Aadhar Card.

The voting booths open from 7 am and go right till 6 pm. I don’t know whether early bird gets the worm but I have always found queues shorter when I go early. Infact, my father born before Independence, is usually the first voter in the booth. It gives a different kick, to wake early, have a shower, wear new clothes, greet morning sun, pray to God or Christopher Hitchens (if you are an atheist) and walk your way to the voting booth. That’s a routine we follow. If you have alternative plans for tomorrow, don’t even think of  it. Ask me. Offices are shut. Banks are closed. Hotels not open till evening. Cinemas are also, shut till 6 pm show. And, I checked with the box office, advance booking for “Anamika” and “Spiderman-2” also won’t open till evening. And IPL matches start later in the evening. So you have ten hours to do your own thing but first get the vote out of your way, get it inked and linked in with your social media presence.

And by the way, don’t worry about the EVMs – those beepy machines with the pink paper and the white paper as mentioned earlier. Don’t believe these machines can be rigged or booth-captured as reported in Pune etc. These machines are made by ECIL and Bharat Electronics and are both mechanically and electronically protected to prevent any tampering. The software used in these machines is burnt into a one-time programmable/masked chip so that it cannot be altered or tampered with. They can’t be hacked too. And remember, a maximum of five votes can be cast in one minute. Which means, even the presiding officer cannot enable the ballot for twelve seconds after every ballot is cast. With an electorate of over 814 million voters, there are 900,000 polling stations with lakhs of EVMs. I read somewhere that EVMs are not only tamper-proof and loud (not a single vote is accepted without a loud beep, audible even outside the polling booth) but they also save paper, about 10,000 metric tonnes of paper.

Back to the pink paper and white paper. Before you press the button corresponding to your choice of the candidate/symbol, wait for the green light to appear and a sound. Then after your press the button, a red light appears with another beeping sound – signalling that your vote is registered. Know this much, that it is no rocket science. When the EVMs are counted, election results are easiest to declare – within hours on May 16th.

I am no seasoned voter as I have just voted for six or seven General Elections and as many Assembly elections. But keeping these golden rules has always helped me cast a vote that makes a difference at the national and local level, even at the municipality level. My piece of unsolicited advice:

1. When you vote for the Lok Sabha, ensuring that you vote for the national party helps your vote to get counted amongst the national voting share of each party. Instead, if you vote for an Independent in Lok Sabha, the vote share gets fragmented and a clear choice is hard to come up. According to data from Election Commisison of India, the percentage of votes secured by Independents has been declining from 15.90 per cent in 1952 to just 5.19 per cent in 2009. This also clearly, corresponds to a fall in percentage of forfeited deposits of Independent Candidates in Lok Sabha elections from 67.54 per cent in 1952 to 99.35 per cent in 2009. Friends, clearly, voting for Independents in Lok Sabha is not an Audience Poll choice!
2. Vote with a clear conscience, without inducements, expectations and party affiliations and other considerations. Vote for a party that can make you see eye to eye with the next-gen also who must be more positive and hopeful than us. Not that we are not. But just in case!
3. When you vote for a party at a regional level, go for the one who is closest in your assessment and understanding – someone who matches performance, governance and clean record with fresh ideas.
4. In summary, nobody can influence or should influence who you vote for. It is a personal choice and a hard one at that, something that even your own family members can seldom agree upon. But if you close your eyes, and visualise the last five years and then determine what can change in the next five years with utmost honesty and sincerity, you will hit the right buttons. Believe me, in my own case, I hit the magic buttons every time since I was first eligible to vote except in the year 2009. I had been lucky to cast my votes for the winning candidate. This time, I am hoping I won’t even have to push my luck further.
5. Lastly, should  you use NOTA (None of the Above)? I am not an expert on this too. I will quote from Hindol Sengupta’s superb book : 100 THINGS TO KNOW AND DEBATE BEFORE YOU VOTE. He says,” No matter how many NOTA votes are cast, even if the most of the votes cast in a constituency are NOTA, a candidate winning the few remaining minority votes should be declared elected. Unless the law is amended to say if majority of the votes cast are NOTA, a re-election needs to be held, this does not solve the problem of corrupt candidates but not enough. As it often is in India, this rule does not go all the way. In short, Hindol says, “Use it. But remember it’s the beginning of change, not the end.”

So long then. Happy Voting. Happy Record Voting. And here’s wishing all of us better times ahead.