"Rowdy" (Telugu)
"Rowdy" is perhaps the finest moment of acting for Dr.Mohan Babu and a new high for Manchu Vishnu in acting without frills, dimples , warts and all. But for Ram Gopal Varma fans who have already seen "Sarkar" and "Sarkar Raj", the film is a blend of both the films that should give you some indication of the ending.
In order to nativise the original plot in "Sarkar", RGV chooses the factionist setting of Rayalseema to liken the main character "Anna" Mohan Babu to one you can relate with like, say, Paritala Ravi, Bal Thackaray, or a refined factionist in "Rakta Charitra". Anna and his wife Jayasudha are benign leaders with a mass following of their villagers. Eldest son is misguided in his imitation of "Rowdy" dad. Youngest son is Vishnu who is class apart, falls in love with Shanvi (last seen in "Prema Katha Chitram"). A gang of villains - including Tanikella Bharani, Jeeva, a baldie and a pineapple-cake-munching baddie plot the downfall of Anna who is their main obstacle in the kickacks that accrue from "Gangavaram" project. Then the usual twists of betrayal of trust, attempted murder and the climax as per the original versions. The producers must be really bold to ask RGV to remake his most successful brand of cinema into Telugu for an audience who are not alien to its memory.
But RGV has always been like that. The man loves to remake his own cinema. He made "Shiva" in 1989 with a blistering debut at the box office. He remade that film with his muse of the day in 2006. He made "Gaayam" in the 1990s. That film continues to be metastatized in many of his films including "Sarkar" series and "Rowdy". I firmly believe that RGV knows only five stories to tell on screen. One is the "Gayam" Godfather variety. Two, is the "Satya" gang-war story. Three, the "Kshana Kshanam" "Jungle" hit, heist and run to the forest variety. Four, the film-crazy, fan-obsessed story "Mast" "Appalaraju" variety. If he doesn't find new ideas from the four and a new producer to expend, he will make a film which will scare you with new camera angles - the "Raat" "Deyyam" variety. Directors who came from the RGV school have been attempting bold and different cinema over the years - the likes of Shimit Amin and Anurag Kashyap but our man continues to cannibalise these five stories all his productive career. Despite knowing all the craft and specialist knowledge, RGV keeps assaulting us with films that keep him in the comfort zone.
Having said that, the film "Rowdy" is squeaky clean with arresting narration. If you have not seen the originals, you will feel the thrills of convincing characterisation and multiple twists. 121 minutes is a definite plus as there are no lagging sequences except at times when the gang of villains gag with citations from "Vedams" and all that. Mohan Babu comes out with a hurrah performance that comes but once in a lifetime. Acting without makeup and wig, he delivers dialogues differently and emotes well with a body language and a swagger that is apt and stylish. For an actor who has hit the limelight with garrulous dialogue delivery and idiosyncratic body language, this is crowning glory. Manchu Vishnu seems overawed by the presence of his dad in most frames directed by a veteran but he holds his own. He seems to get back to his median weighty body frame. Tanikella and Jeeva are over the top and could have been edited out except a few dialogues. Jayasudha is the only person who must have used makeup in the film but she gives a memorable performance. RGV used to mention that after Sridevi, he had a crush on Jayasudha after seeing "Adavi Ramudu". In this film, he had used her well to relay her strengths in many emotions. Dialogues are sharp and uncinematic - a hallmark of RGV. BGM and music by Sai Karthik hit some good notes. Despite a deja vu plot, "Rowdy" is stylish and watchable and yes, neat for family viewing too. I rate this 3/5 for the compactness, performances and telling a good story neatly for Telugu audiences.
"Rowdy" is perhaps the finest moment of acting for Dr.Mohan Babu and a new high for Manchu Vishnu in acting without frills, dimples , warts and all. But for Ram Gopal Varma fans who have already seen "Sarkar" and "Sarkar Raj", the film is a blend of both the films that should give you some indication of the ending.
In order to nativise the original plot in "Sarkar", RGV chooses the factionist setting of Rayalseema to liken the main character "Anna" Mohan Babu to one you can relate with like, say, Paritala Ravi, Bal Thackaray, or a refined factionist in "Rakta Charitra". Anna and his wife Jayasudha are benign leaders with a mass following of their villagers. Eldest son is misguided in his imitation of "Rowdy" dad. Youngest son is Vishnu who is class apart, falls in love with Shanvi (last seen in "Prema Katha Chitram"). A gang of villains - including Tanikella Bharani, Jeeva, a baldie and a pineapple-cake-munching baddie plot the downfall of Anna who is their main obstacle in the kickacks that accrue from "Gangavaram" project. Then the usual twists of betrayal of trust, attempted murder and the climax as per the original versions. The producers must be really bold to ask RGV to remake his most successful brand of cinema into Telugu for an audience who are not alien to its memory.
But RGV has always been like that. The man loves to remake his own cinema. He made "Shiva" in 1989 with a blistering debut at the box office. He remade that film with his muse of the day in 2006. He made "Gaayam" in the 1990s. That film continues to be metastatized in many of his films including "Sarkar" series and "Rowdy". I firmly believe that RGV knows only five stories to tell on screen. One is the "Gayam" Godfather variety. Two, is the "Satya" gang-war story. Three, the "Kshana Kshanam" "Jungle" hit, heist and run to the forest variety. Four, the film-crazy, fan-obsessed story "Mast" "Appalaraju" variety. If he doesn't find new ideas from the four and a new producer to expend, he will make a film which will scare you with new camera angles - the "Raat" "Deyyam" variety. Directors who came from the RGV school have been attempting bold and different cinema over the years - the likes of Shimit Amin and Anurag Kashyap but our man continues to cannibalise these five stories all his productive career. Despite knowing all the craft and specialist knowledge, RGV keeps assaulting us with films that keep him in the comfort zone.
Having said that, the film "Rowdy" is squeaky clean with arresting narration. If you have not seen the originals, you will feel the thrills of convincing characterisation and multiple twists. 121 minutes is a definite plus as there are no lagging sequences except at times when the gang of villains gag with citations from "Vedams" and all that. Mohan Babu comes out with a hurrah performance that comes but once in a lifetime. Acting without makeup and wig, he delivers dialogues differently and emotes well with a body language and a swagger that is apt and stylish. For an actor who has hit the limelight with garrulous dialogue delivery and idiosyncratic body language, this is crowning glory. Manchu Vishnu seems overawed by the presence of his dad in most frames directed by a veteran but he holds his own. He seems to get back to his median weighty body frame. Tanikella and Jeeva are over the top and could have been edited out except a few dialogues. Jayasudha is the only person who must have used makeup in the film but she gives a memorable performance. RGV used to mention that after Sridevi, he had a crush on Jayasudha after seeing "Adavi Ramudu". In this film, he had used her well to relay her strengths in many emotions. Dialogues are sharp and uncinematic - a hallmark of RGV. BGM and music by Sai Karthik hit some good notes. Despite a deja vu plot, "Rowdy" is stylish and watchable and yes, neat for family viewing too. I rate this 3/5 for the compactness, performances and telling a good story neatly for Telugu audiences.
No comments:
Post a Comment