Showing posts with label Rishi Kapoor. Show all posts
Showing posts with label Rishi Kapoor. Show all posts

May 1, 2020

A Lucky Star without Tantrums - Rishi Kapoor



 
Rishi Kapoor. One of the most happy-go-lucky actorss in Bollywood. Always cherubic and bubbly. A lucky mascot. For everyone who worked with him. For his father who was reeling under huge losses from "Mere Naam Joker", he became a money-spinning "Bobby". For heroines who got launched with him like Padmini Kolhapuri and Dimple. For co-stars and superstars. And for many producers and directors who found in him the mettle to rub shoulders with multi-starrer giants. He became the proverbial David who charmed many Goliath-like giants with his non-threatening effervescence and ego-less pranks. Most of the films starring Rishi Kapoor became box-office bonanzas for producers though he never got full or deserving credit for his performances that pulled in the crowds.
The only girl he ever got linked with early in career was Dimple who eloped with Rajesh Khanna, even after wearing a ring given by Rishi when they were dating during "Bobby". Of course, he married Neetu Singh finally - and thats one heck of a love-story for a free-wheeling 80s couple who did 13 films together with dazzling chemistry.
 
Raj Kapoor always thought Rishi would make the most successful director (he did direct "Aa Ab Last Chale" which didn't click). But he became the most successful lover in the history of Bollywood: always walks away with the girl, whoever else in the triangle may be - Vinod Chopra, Kamal Hasan or Vinod Mehra. He became Amitabh Bachchan's most famous Tillu Bhai in many memorable hits of the 80s and happy to play second fiddle to the reigning Superstar. As a nice guy, he has so far given the best shot amongst the Raj Kapoor's sons sustaining himself in a career spanning four decades since he first appeared. Before he came in as "Bobby", Bollywood films used to be all about men and women, as a critic remarked. After "Bobby", it was about boys and girls.
 
Rishi Kapoor went on to belt out the most iconic dancing hits and Qawali numbers of an entire generation many of which became titles of blockbusters in 2000s. Before the likes of Govind and Mithun, it was always Rishi who was rated the best dancer for a long time. It was quite an achievement for Rishi- to serenade a heroine, and synchronize dancing steps with her without an effort. The disco lights, the revolving dance floors and the psychedelic lighting bulbs of the 80s would have all looked out of place were it not for the elegance of Rishi Kapoor's cadence and ease. He would break into a song and dance and everybody out there would fall in sync - swirling and crooning without an apology.
 
There are actors down South who followed the same model of Rishi Kapoor in experimenting with new heroines and playing second fiddle in multi-starters as long as they could hold your own - Chandra Mohan in Tollywood and Siva Kumar in Kollywood, they became known as the Rishi Kapoors of their respective Film Industries. Of course, it could be argued the other way too - why not Rishi Kapoor be called the Chandra Mohan of Bollywood? But that's a different topic!
Rishi Kapoor, later transformed into playing played mature characters after his gait and genetic code no longer made him look younger because of the famous Dal Makhni Kapoor staple diet. In the last decade, he became Bollywood's severest conscience keeper raising holy hell every time the Industry stalwarts floundered in responding to the 'crying need of the hour' be it #Metoo or a war-like situation. He also brook no nonsense with his recently released autobiography "Khullam Khulla" (in which he nailed stars like Rajesh Khanna or Amitabh Bachchan with no-holds barred revelations).
 
Of course, his fine acting continued with the likes of Irrfan Khan and Amitabh Bachchan ("102 not out") and he would have easily given another shot at third innings at a time when his son Ranbir Kapoor is earning solid spurs as the next Superstar of Bollywood. That speaks a lot of about the original first family of Bollywood - the Kapoor Clan whose gene pool keeps gifting Superstars and Divas who became endearing icons of Indian Cinema. Rishi has travelled as far, if not farther than all his great uncles but perhaps will have the last laugh once his son conquers Bollywood one day, if not already. It is quite ironic that the Star who gave India's first song on self-quarantining ("Hum Tum Ek Kamre Me Bandh Ho...") should pass out during India's self-quarantine period. And in his passing, the whole nation says "Om Shanti Om" to the man who sang the most famous anthem of the 80s with the same words. Truly, Rishida will be missed by the 80s generation and one hopes that his legacy will be carried on by son Ranbir Kapoor to the next level. 
 
My favorite films of Rishi Kapoor:
1. Karz
2. Amar Akbar Anthony
3. Chandini
4. Zamaane Ko Dikhana Hai
5. Sagar
 

October 2, 2013

"Besharam" (Hindi) Film Review



It happens to every superstar. It happened now to Ranbir Kapoor. After hitting a purple patch in recent films, Ranbir Kapoor has starred in a disastrous film that is neither a love story nor an action film. Directed by Abhimanyu Singh Kashyap, "Besharam" must go down as one of Ranbir's most insane and inane film till date.

The story is like a line that is lifted from TV serials - not suitable for a film befitting Ranbir. Bablee (Ranbir Kapoor) and his flunkie keep stealing imported cars by knocking off the locks with a magic knob. They are chased by an about-to-retire police couple (Rishi Kapoor and Neetu Singh) in the first case. Bablee keeps running as a furgitive and gate-crashes into a pretty lass Pallavi Sharda (debutant). He bumps into her mother and finds it easier to serenede Pallavi through her mother. He succeeds after many false starts. One day, he flicks her own car from her office and then "shamelessly" tells her to drive down with him to Chandigarh to track the owner who bought her "stolen" car. Pallavi relents after her mother persuades and that loosens the romantic track between Ranbir and Pallavi. There is an anti-hero also for the first time in a Ranbir film - it is Javed Jaffrey  - the boogie-woogie judge - who engages Bablee on "car" assignments. The twist is that the car stolen from Pallavi contains a bagload of crores of rupees which he is coming after. In a climactic chase for that car, Javed Jaffrey, Rishi Kapoor, Neetu Singh and Ranbir and Pallavi all come together in a gun-dotted sequence that lasts 25 minutes before the end comes soon. Happy ending but troubled viewing for those who went with expectations. 

What went wrong? Story thats loosely fleshed out with poor characterisations and half-baked convictions. Director doesn't have clarity on giving what he wants the many characters to speak out. Javed Jaffrey could have been menacing for a change but he is made a joker in the end. Pallavi Sharda has promising looks but her characterisation lacks punch; her melting point to accept Ranbir's love was inconsistent with her overall tone. Rishi Kapoor and Neetu Singh look slightly over the top with their inspid lines; they fight, they differ, they want to adopt a child and end up adopting a grown-up like Ranbir in the end - some sort of picturesque justice to a family drawn in the film for the sake of it - a purely avoidable situation.  Ranbir is quite good in his role and carries off his performance effortlessly, he fits the role of a "Besharam"  - flirtatious, mischievous, innocent and kind well but he could have passed up this role, either he okayed the script after his parents listened to or he must have got sentimental about playing a role with both of his parents seen as a screen couple. The law of averages seems to have caught up with Ranbir in this film - it is slow, cliched and woefully anachronistic plot. Screenplay could have been done by a clap boy, it was that simple or redundant. Music by Lalith Pandit, whoever he is, must be one of the forgettable scores of Ranbir's career so far. It neither enriches the film nor energises it. Comedy in a few scenes is sprinkled which get a few laughs but enough to redeem the film of its cardinal sins - lazy direction, sloppy screenplay, lacklustre story and frivolous handling. 138 minutes is not that long yet found the duration tortuous. What helps is the screen presence of Ranbir, Javed Jaffrey, a few laughs and the engimatic cuteness of newcomer Pallavi Sharda. For all that, it deserves a rating of 2/5.

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