Showing posts with label Venkatesh. Show all posts
Showing posts with label Venkatesh. Show all posts

July 16, 2014

"Drusyam" (Telugu) Film Review


"Drusyam" is an ambitious remake of the original Malayalam film by the same title - which hit national headlines with simultaneous bidding by leading film industries to reckon with - Bollywood, Tollywood, Sandalwood and Kollywood. With Ravi Chandran playing the role of Mohanlal in Kannada, Kamal Hasan in Tamil and Venkatesh in Telugu, expectations soared before the release. As usual, Telugu producers rushed to the fence in releasing the film. D.Suresh Babu backed Sripriya to direct the remake originally made by Jitu Joseph. Sripriya is that sizzling actress who starred in some unforgettable films of the 70s and 80s - "Anthuleni Katha" and "Vayasu Pilichindi".

The starcast is impressive - Venkatesh, Meena, Saptagiri, Kruttika, Ravi Kale, Nadiya and Naresh - and all of them have given great performances except Nadiya and Kruttika who were inconsistent in their performances and sometimes unconvincing. The story has been sensational and revolves around a six-sigma event - a highly improbable event in the way the ending goes.  According to what I read, the story is an autobiographical adaptation by the original director Jitu Josph; it happened to him and his family and hence he approached a producer. After shooting for the first thirty minutes, the producer threw in the towel and in stepped Superstar Mohanlal who backed it to the hilt. "Drusyam" in Malayalam collected over Rs.50 crores and became the first film to cross that kind of a milestone reserved for big-brother film industries of erstwhile AP and Tamil Nadu. The original film runs for two hours and forty five minutes with minimum props and gripping intensity. The current remake runs for almost two hours and fifty minutes. The original film shows Mohanlal in a status of humble economic conditions. The remake shows Venky as a serial entrepreneur and  reasonably affluent farmer-entrepreneur.

To tell the story will be to give away the plot. And to analyse the treatment and faultlines in the story will also unveil the storyline. But we have to make a beginning somewhere and talk turkey. So the story begins with Venkatesh and Meena and their two lovely daughters, one a teenager Kruttika and the other a pre-teenager. Venkatesh runs a cable TV business which goes well into the graveyard shift. His world at work revolves around movies - and he watches them every waking minute at work which starts around noon and stretches till the morning dawn. His assistant Saptagiri helps him out at work and they take the calls from customers at whim. At home, Meena is the boss and runs the household with the daughters and her indulgences in shopping. Its a happy world for Venkatesh and family even if they quibble and crib about the world until one fine day an intruder disrupts the  peace. The intruder who takes lewd video of the teenaged daughter gets tackled in the most appropriate manner when he comes to Venky's home and makes fresh advances against Kruttika.

The crux of the film revolves around how Venky rallies behind his family. What really happened to the boy? Is he dead? Missing? Killed? Action speeds up with the boy's parents, Nadiya and Naresh stepping in. Nadiya is IGP and uses her full force to investigate the matter. Naresh is a doubting Thomas who always feared his wayward son was spoilt and had to end in a mess like this. The biggest support for Nadiya comes from a vengeaful constable of the local police station - Ravi Kale who    was rubbed on the wrong side by Venky. The film goes in a different direction of suspicion, witness-examination and probe into the antecedents of the boy's travel to the village. This part, the cross-examination part and the preparation by Venky in psychologically steeling his family's nerves is the most exciting part of the film. The treatment is more nuanced and works on aspects seldom highlighted in films about the elements of criminality - mind-body coordination, body-language, evidence and its destruction and reconstruction, the art of dodging cross-examination, and the psychology of a crime-implicated person. The ending of the film takes one or two extra turns before it leaves you with lots of food for thought - on how the justice system works in India and what happens when someone were to subvert it.

Surely, the second half throws in a basketful of surprises but the first half lags because the director takes a lazy approach to establishing the characters and their idiosyncracies. Despite a valiant attempt to remake the film, the film's original script seems to have some flaws which can't be overlooked. But if you see the film in its flow, these faults may not be relevant because the treatment of the story takes a different direction but still they are plausible. For instance, on one hand, Venky works in the night shift as a cable TV owner but there is no reason to stay out of home when the whole world is sleeping when you have an Assistant and customer calls are few. If Venky really loves his family so much, as they show later in the film, why does a father of two girls and a loving wife spend his nights out watching silly movies? Not once do they show either Venky or Saptagiri, his assistant taking customer care calls seriously. Secondly, in Malayalam film, Mohanlal has a pitiable economic background but here, Venky has a five-acre plot with a lovely pathway and an opulent house but still cribs when his wife shops or demands an extra ice cream? Third, the police who beckon his family for interrogation do not  check out his vast plotted house even once with sniffer dogs to find out if something's fishy. Fourth, almost every other character in the film uses a mobile phone including the delinquent boy but Venky doesn't use - which world is the director thinking of? If it is cable TV business, why do they show Venky all the time watching latest movies with channel logos shown once or twice? Does it mean that the customers also spend the night out watching the films all night? And not once do we see Venky using a remote while his assistant is shown photoshopping lovely females. Fifthly, the clues and alibis used by Venky during the interrogation - they don't really add up  on closer watch - which is what Nadiya alleges. (For example, no bus ticket  is issued without a date printed). Sixth, the interrogations done in a guest house are unlawful - they even interrogate a child and manhandle the womenfolk. And not once does a lawyer show up anytime during the in-camera interrogations. If watching films like "Ankuram" gives one knowledge about such subtle legal aspects as "habeus corpus", pray, why such a slip up? Seventh, in the Malayalam film, even the cable films watched by Mohanlal are intelligently assembled to stay relevant to the basic plot of the film. But here, they show films for populism - a Pawan Kalyan film here, a Mahesh Babu or a Sobhan Babu film there. But the beauty is why, the hero doesn't know that a naked SIM Card is less dangerous than a SIM inserted into a carbonn mobile phone. Lastly, since the film's perspectives are entirely shown from Venky's angle, enough care hasn't been taken in the characterisation of Nadiya - the mother in her dominates the policewoman in her way beyond the endurance levels of the audience. Which is why, she misuses the system of interrogation blatantly until she pays a price with her post. The ending is quick and brilliant as you leave the hall with a mixed feeling - Can everything be manipulated in the name of love and selfishness?

Performances-wise, Venky and Ravi Kale stand out with contrasting beauty. Venky is shown glamorously even if it is a dull character. The last several films of Venky have been forgettable flops and everytime he experimented in the last decade - "Nagavalli" or "Eenaadu" the audience rejected him. Despite the flaws, this is his best comeback film. It is not perfect film but it is watchable and draws you in despite inconsistencies. There are not many films that Tollywood can boast of in this genre. I didn't get goosebumps watching this film. But I didn't feel bored either. Music by Sharath is good in atleast the two songs. Cinematography by S.Gopal Reddy looks good. Comedy by Saptagiri alone is good the rest do not just fire up. Yes, visuals can be deceiving but to take a tongue-in-cheek approach to the film's title, it should not have been named "Drusyam". "Adrusyam" is better!

My Rating: 3/5.

November 17, 2013

"Masala" Telugu Film Review



Masala is a ridiculous film with retrograde humour imported from Bollywood's hit film "Bol Bacchan". Infact, its a remake of the same film made by Rohit Shetty. In Telugu, quite a few big names got associated with the remake - Suresh Productions, Victory Venkatesh (plays Ajay Devgn), Ram (plays Abhishek Bacchan) and the female leads, played by Anjali and Shahzad Pudamjee. Directed by K Vijaybhaskar, who was the titular head in most of the hit films enriched by the vigorous penmanship of Trivikram Srinivas. 

The story is set in a village called Bhimarajapuram where Venkatesh is the chieftain who settles disputes and lords over the village folk. Posani Krishna Murali is the antagonist to Venkatesh. Into this village enter Ram and his sister Anjali, who lose their house and savings in a court dispute. Ram tells one lie after another to win the trust of Venkatesh, that he has a lookalike brother, a mother who has a lookalike and so on. The drift of the story is all stretching this absurdity further and making Venkatesh a joker in the pack led to believe all the drivel that Ram and his gang dish out. A comedy of errors is what unfolds as  the story moves in garrulous overtones of cheap drama with just a few good laughs and a banal ending. 

Venkatesh provides the good laughs in the film with his Butler English. Infact, that is the only saving grace of the film and but for that, most of the plot is crass and unequal to the standards of Telugu film comedy seen in recent times. Telugu film comedy is far superior to the levels of no-brainer comedy imported by the remake of the Hindi film and its an insult to the audience. Anjali, who looked so bright and promising in SVSC has a forgettable role in the film. Ram who plays the twin shades of a Gay metrosexual and an innocent youth carries off well. 

Venkatesh, despite a frivolous role that doesn't elevate his stature or earmark his career with the portrayal as a village don. He pulls off a fiery performance despite the shortfalls in the characterisation. He has the best lines in the film and what he speaks in English should make this film a brand ambassador for Russell's Spoken English. Here are some of the best lines which are the only paisa vasool in the film. "Today, I want everybody down to earth." "It is not hell, it is pine apple." "Let's give her a supervise (surprise)." "What a family hysteria." (history). "I want one night stand with your family." "I suspect all religions." (respect). "Take my sarees." (sorrys). "Please pest control yourself." "Shut up in the mouth and get out of the house.". "Without interest, I trust you." "Honesty is the best mutual policy," (you mean, mutual fund or insurance policy?) "Bloody burgar take him to jail." "You are my brother in law please become my sister's umbrella." "Cat under my hand, searching the whole motherland". "This is not normal marriage sir, this is pot exchange marriage." And finally, he says,"Watch the climax in my IMAX". Jayaprakash Reddy is the only other character who fires salvos and heightens the impact of Venkatesh's faulty one-liners ("My English better than the British!") by riposting as "Horrible Sir Horrible Sir! or "Bull Shit Sir Bull Shit Sir!). 

Music by SS Thaman is average and could have been better. Duration of the film is 140 minutes and but for the dialogues by Venkatesh, it would have been a tastless comedy. 2.5 out of 5.

January 18, 2012

"Businessman" is indeed a hit!

Its now final - "Businessman" is a hit amongst the movies released for Sankranti in Tollywood.  ("Bodyguard" is also an average hit and has its supoort and patronage but thats not sufficient to upstage "Businessman"). And Mahesh Babu seems to be the New No.1 in Tollywood. Collections don't lie - from Rs.13 crs. gross +satellite rights of Rs.7.27 crs. It has already made money for the distributors and producers. Credit goes to both Mahesh and Puri for snatching a quick and cool hit - with tight schedule and tighter control on costs. If the trend continues this year, looks like Tollywood will be on a song because of more multli-starrers planned and faster rotation of reels between Superstars and technicians. If heroes like NTR, Mahesh, Prabhas act in 4-5 films per year and compete with the likes of Ravi Teja and Allari Naresh in more productions per annum - it is the best thing to happen for Tollywood desperate for more churnouts and more hits and more employability for its crew and cast. Last year, Tollywood saw a unique statistics. The no. of dubbed films in Telugu was 120 in 2011 whereas the no.of straight films in Tollywood were 118. That should tell how the technicians of Tollywood would have fared. Well begun is half the victory..So the tidings will be glad for another busy movie season coming up in February where many Star films are expected to release. Cheers Tollywood and Telugu Cinema.

January 13, 2012

Sankranti and Tollywood Movies


Tollywood movies this Sankranti are likely setting the tone for what to expect in 2012. Two reclusive Babus are releasing movies whose titles start with "B" and have the same music director. The same Babus are later starting work on a multi-starrer to be produced by Dil Raju. How the fans of each other behave now will cast a shadow on the way the multi-starrer later is received. The situation is ...so upbeat between the movies - "Businessman" and "Bodyguard" that "Nippu" that Ravi Teja's movie got postponed beyond Sankranti. The only movie with village backdrop is Nandamuri Tarakaratna's "Nandeeswarudu" but I am not sure it will grab the eyeballs between two reclusive Superstars. Sankranti is not for the fainthearted and only established heroes test their appeal at the Box-Office for this season - the rest try their luck during "safe periods" - December, Diwali-Dasera and Summer holidays after EAMCET when chances of assured student audiences abound. Since we come from Village background, my family revels in Sankranti season - we watch all movies in those 3 days - back-to-back almost - and have usually found the Sankranti winner is usually a Surprise packet - the "Pandem Kodi" is actually the one you haven't bet on. But for those who feel happy about it, Mahesh Babu has beaten the record of Allari Naresh in getting a movie out within just 100 days of his previous movie "Dookudu". I hope 2012 brings out more such welcome developments where stars act in more movies, take on experimental films, co-star in multi-starrers, and take Tollywood to greater heights. Last year, we had dubbed movies like "Rangam" usher in the Sun's transit into the Northern Hemisphere. This year, its Telugu all the way - hope the year will be the best for Tollywood.

"Jailor" (Telugu/Tamil) Movie Review: Electrifying!

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